patternsthatconnect

abstract art and systems thinking

At “Now You See It Now You Don’t”

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Now You See It Now You Don’t, the 8th Terrace annual, is a one day only event, curated by Karl Bielik, it’s as whacky as they come, and amazing.  On a warm sunny afternoon/evening in late August,  4-17 Frederick Terrace, London, becomes this delightful space for looking at art, socialising and listening  to music.

wall

Over the last six years 162 different artists have shown over 300 pieces of work in this now transformed, former wasteland. Exposed to the elements the works have shifted, faded, broken, rotted, remained and in some cases, disappeared. This year 64 artists have added new work.

In Lisa Denyer‘s painting, I feel sure that the watery stains, complementing harder straight lines, were in the finished piece before it was exposed to the elements. However, the possibility that they could be the result of weathering seems so right.

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Similarly, in a 12″ x 12″ painting by Stephen Macinnis a red paint run that was likely there already, could conceivably have happened as a result of this unique hang.

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There are works old and new by Karl Bielik

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…a new one from Terry Greene

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…and an Andrew Seto painting that has been here at least a year continues to look good. Painted in oils, I probably shouldn’t be surprised that it holds up against the outdoors, but what’s disconcerting is that such a lovely a painting is is so mercilessly delivered up to the elements.

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From the slight damage to the canvas along the lower edge, I suspect that Valerie Brennan‘s painting has been here a while, but the image itself, the glossy quality of the paint and the brightness of colour looks undiminished.

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…and the Paul Behnke looks vibrant and even on paper or card seems quite robust.

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The wonderful, thickly-painted feast of colour by Susan Carr must surely be just as vivid now as it when it was hung, and long may it continue to look this good. An old friend of mine used to judge paintings by how much he wanted to eat them. I suspect that Carr’s painting here would have matched his criteria amply.

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The delightful metal collage by Michigan artist  Tom Duimistra weathers particularly well

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Charlie Bonallack‘s framed image of a caravan parked outside the Duke of Cambridge pub is a continuing work. Each year a photo of the previous year’s entry is added. It is first dusted in a material resembling sugar or salt. The oldest is the clearest of the three, the newest being almost all white. It could be that as the salt decomposes the image becomes clearer, almost the reverse of the natural weathering process, and if that’s not actually what’s going on, it’s a good enough myth to want to perpetuate it.

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I ask Leslie Greene about her intriguing vertical diptych (centre in the photo below) and discover that she has prepared her painting for a dialogue with the rain. The top half of the diptych features written lines of poetry about rain, its surface being punctuated by vertical strips of sellotape, which will decompose, whilst directing rainwater downwards in straight lines. The image on the lower panel is a photograph of a larger painting/collage that incorporates a broken umbrella into the canvas.

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my own piece is canvas stuck to board…

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and though it’s new to the exhibition, it already shows signs of wearing, along the top edge in the centre, two pieces of canvas seem to be pulling apart. How could I have ever thought that PVA glue would be tough in these conditions? Over time perhaps the canvas will come away from the support completely, leaving just the mount, something I really hadn’t envisaged until now!

There’s something mildly perverse or morbid about this show. I think part of the motivation for making art is the desire for “immortality” or at the least, in Alfred Korzybski’s parlance “time binding”, yet here the art decomposes (not quite) in front of our own eyes. Didn’t the Futurists think of museums as graveyards? Here, as autumn approaches, modern and contemporary works take their place in a graveyard that resembles a museum, and whether they like it or not, they all become memento mori.

The full list of artists:
Julie Alexander, Sara Aisha Amido, Karen Ay, Uta Baldauf, Paul Behnke, Beard and Ferguson, Eleanor Bennett, Maxine Beuret, Diane Bielik, Karl Bielik, James Blackburn, Kiera Blakey, Anka Bogacz, Brigitte Boldy, Charlie Bonallack, Alex Booker, Ronan Bowes, Boyle&Shaw, Nina Branhauser, Valerie Brennan, Anna Bruinsma, Rebecca Byrne, Matt Cahill, Eve Campbell, Susan Carr, Lucy Mink Covello, Bimba Champion, Alicia Clarke, Oliver Crowther, Roberta Cucuzza, Annabelle Dalby, Lawrence Daley, Annie Davey, Rosie De Borman, Julia Defferary, Lisa Denyer, Ludovic Dervillez, Pravin Dewdhory, Maria Doohan, Tom Duimstra, Brian Edmonds, Liz Elton, Robert Otto Epstein, Anne-Marie Fairbrother, Rob Flowers, Adrian Galpin, Patrick Galway, Yifat Gat, Sanna-Lisa Gesang-Gottowt, Matthew Neil Gehring, Mira Gerard, Max Gimson, Matthew Golden, Leslie Greene, Terry Greene, Philip Hall-Patch, Robert Hall, Julia Hamilton, Ross Hansen, Rupert Hartley, Michele Hemsoth, Aimie Herbert, Alex Hermon, Russell Heron, Gabriele Herzog, Dan Holliday, Jan Holtoff, Rebecca Hooper, George Horner, Christopher Hudson, Zarah Hunt, Jessica Jang, Helen Jarvis, Elina Jokipii, Nica Junker, Eemyun Kang, Ralph Kietwitz, Susannah King, Yoonjung Kim, Josh Knowles, James Lambert, Lindsey Landfried, David Leapman, Ron Levin, Caterina Lewis, Meg Lipke, Andrea Lippet, Susan Lizotte, Heidi Locher, Vibeke Luther, Stephen B. Maciniss, Nerys Mathias, Julia Maddison, Andrew Maughan, Tony Mcateer, Fay Mccloskey, Andrea Medjesi-Jones, Julie Miranda, Lorna Milburn, David T Miller, Nicola Morrison, Andrea Muendelein, Ryan Muldowney, Hannah Murgatroyd, Danka Nisevic, Emer O’Brien, Martin O’Neil, Susan Overell, Natalie Papageorgiadis, Melanie Parke, Andrew Parkinson, Cathleen Parra, Christopher Peabody, Joanna Peace, Grant Petrey, Caroline Piccioni, Velvet Zoe Ramos, Shirome Ratne, George Riley, Jon Riley, Dan Roach, Andy Robertson, Matthew Robinson, Will Robson-Scott, Anne Rusinoff, Rachel Russell, Cheryl Saunders, Matthew Saunders, Julie Schwartz, Gert Scheerlinck, Frances Scott, Andrew Seto, Ariane Severin, Jennifer Sheperd, Jason Shulman, Emma-Jane Spain, Lili Spain, Marianne Spurr, Richard Stone, Madeleine Strindberg, Martha Thorn, Sabine Tress, Sophie Tomlinson, Emily Trotter, Lee Tusman, Claire Undy, Marijke Vasey, Georgina Vinsun, Maxwell Wade, Julian Wakelin, Tobias Wenzel, Ian White Williams, James White, Emma-Jane Whitton, Tarn Willers, Phil Wise, Retts Wood, Katherine Worthington, Elizabeth Wright, Stephen Wright and Blair Zaye

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12 Responses

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  1. What a great venue…and experience for both the artists and their works.

    Molecules of Emotion

    September 9, 2013 at 3:41 pm

  2. what a great idea.. I like the work I see too!!

    lesamm

    September 9, 2013 at 3:50 pm

  3. Thanks for the post! I look forward to participating in this every year.

    Paul Behnke

    September 9, 2013 at 9:02 pm

  4. Everything is transient. This is a good thing. It is the natural state of things. I find it comforting to read about work decaying. I wish the art establishment spent much less time and money preserving the old and much more time and money on encouraaging the creation of new work. In the end, however much it is fought, entropy rules!

    My hobby-horse of course. Triggered by your own observations on your work in this show. As always, I enjoyed reading your review.

    codedimages

    September 9, 2013 at 9:57 pm

  5. Reblogged this on Artist Marketing Resources.

    mariekazalia

    September 9, 2013 at 11:37 pm

  6. Hi Andy, thanks for the images (mine included), enjoyed your post very much…I think I may have to go and take that Seto painting home with me. Its a great project to be part of, so thanks to Karl too!

    Valerie Brennan

    September 10, 2013 at 6:06 pm

  7. Loved your review! I participated in a photography public wall bringing art to the people. It was interesting how the art decomposed. Also how much it was looked at by the people walking by. I liked Terry’s your paintings

    Carla Saunders

    September 11, 2013 at 9:21 pm

  8. Thanks all for your comments or reblog and (also for tweets), Codedimages I like your reminder that entropy rules! Paul, how many others of yours are here? I may have photos. Valerie, the Andrew Seto painting is a favourite of mine too. And Carla, thank you, glad you like them.Cheers, everyone!

    Andy Parkinson

    September 13, 2013 at 2:22 pm

    • Hi Andy,
      I have one more small paper piece that I put in this year. I love the whole idea of the show and thanks to Karl for including me and for all his hard work in organizing everything.

      Paul Behnke

      September 13, 2013 at 2:57 pm

  9. This is absolutely brilliant – in concept and vulnerability to time and weather. I wonder if any participating artist has kept a photographic record of the entropy of their work over a year – an idea for you perhaps Andy? Love your piece and your review is top notch as ever…

    clinock

    September 24, 2013 at 6:51 am

    • Thanks John. I think there are records of some and I include a few here. I agree with you that Karl Bielik is doing a really interesting thing here.

      Andy Parkinson

      September 27, 2013 at 3:55 pm


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