patternsthatconnect

abstract art, a systems view

Archive for April 2016

Channa Horwitz Review at Saturation Point

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Go to the Saturation Point website for a review by Mark Liebenrood of the Channa Horwitz exhibition on show at Raven Row, London until 1 May.

Channa Horwitz (1932–2013, Los Angeles) was a pioneer of “a distinctly Californian minimalism” in the late 1960s and 70s, although she received scant attention from the art world until the end of her life.

Channa Horwitz, Canon 6 Variation II, 1982 Ink on Mylar. Courtesy Collection Oehmen, Germany, photo by Timo Ohler

Channa Horwitz, Canon 6 Variation II, 1982 Ink on Mylar. Courtesy Collection Oehmen, Germany, photo by Timo Ohler

 

Read the full review here

Written by Andy Parkinson

April 28, 2016 at 6:27 am

Gesso and acrylic paint on nothing! Deb Covell’s new painting at OBJECT / A

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The exhibition Here and Now, recently on show at OBJECT / A, Manchester, UK, featured just the one artwork, a wonderful painting entitled Present (2016) by Deb Covell, a painted black square, without a support, gesso and acrylic on nothing, suspended from the ceiling by wire.

Deb Covell, Present, 2016, gesso and acrylic, 140 x 140 cm. Image by courtesy of the artist

Deb Covell, Present, 2016, gesso and acrylic, 140 x 140 cm. Image by courtesy of the artist

 

Read my review of it here at the Saturation Point website.

Katrina Blannin Annodam at Jessica Carlisle

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Katrina Blannin‘s very smart looking solo show Annodam at Jessica Carlisle closes in just two days.

Katrina Blannin, Annodam, by Jessica Carlisle, photo by Tom Carter, image by courtesy of Jessica Carlisle

Katrina Blannin, Annodam, installation photo by Tom Carter, image by courtesy of Jessica Carlisle

Geoff Hands recommends going to see it, in his article at Abcrit, though I had deliberately avoided reading what he has to say until now because I was writing my own review and I didn’t want to be influenced. You can read my review here at Saturation Point, the online editorial and curatorial project for reductive, geometric and systems artists working in the UK. 

Katrina Blannin, Annodam, installation photo by Tom Carter, courtesy of Jessica Carlisle

Katrina Blannin, Annodam, installation photo by Tom Carter, courtesy of Jessica Carlisle

Annodam is Madonna spelt backwards, all the paintings in the exhibition being strangely connected to the Madonna del Parto (c.1455-60), a fresco by Piero della Francesca. But how are they connected? Read more here

Written by Andy Parkinson

April 7, 2016 at 9:56 pm