patternsthatconnect

abstract art and systems thinking

Turps Gallery presents Summer Mix 2016

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Written by Andy Parkinson

July 14, 2016 at 4:43 pm

Posted in Uncategorized

Hickster Projects, Upcoming Exhibition Inherent Vice

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Once a year, in the summer, Hickster Projects holds a platform event in a remote, beautiful part of central Italy, near Siena. The aim is to show innovative and interesting new work in a context that differs both from the city based gallery and the artist-led space. This year’s exhibition, entitled Inherent Vice, features paintings by three artists Nicola Melinelli, Sue Kennington and Nancy Milner (paintings in that order in photo below).

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‘Inherent Vice’ is a term used to denote ‘the tendency in physical objects to degrade because of the fundamental instability of the components from which they are made, as opposed to deterioration that is caused by external forces’. The reference then is to the instability of colour as a medium of communication. If we think of colour as a language, precisely what it communicates is difficult to translate. It continually resists our attempts to pin it down, to systematise it, to tame it. These painters choose instead to treat it with respect, not so much using it, either descriptively or symbolically, as creating contexts in which it communicates in its own way.

Melinelli’s disorientating labyrinths, Milner’s visual buzz as colours meet and Kennington’s surprise spaces, show off the medium in three quite different ways.

Nicola Melinelli (b 1988, Perugia, Italy) is an artist based in Bologna, He had work in MAMBO in Bologna this year and is represented by CARDRDE in Bologna, and A+B Contemporary Art in Brescia.

Sue Kennington, (b 1955 London, UK) is curating Hickster Projects and is showing at Yellow in Varese and in London with Saturation Point later this year.

Nancy Milner (b 1986 Barnsley, UK) has just completed the prestigious Abbey award at the British School in Rome and was shortlisted for the John Moores prize 2016

I was delighted to be invited to write a text for this show which runs from 20 to 28 Aug with an opening reception on Saturday 20 August, 18:00 – 22:00.

For further information and visiting by appointment email: info@hicksterprojects.com

Written by Andy Parkinson

July 12, 2016 at 9:44 pm

Alternator

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Andy Parkinson, Sync 2 (Alternator), 2016, acrylic on canvas, 30.5 x 30.5 cm

Andy Parkinson, Sync 2 (Alternator), 2016, acrylic on canvas, 30.5 x 30.5 cm

Written by Andy Parkinson

May 25, 2016 at 8:44 pm

Posted in Abstract art, Art

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Syncopated Rhythm in Yellow & Black

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Andy Parkinson, Sync, 2016, acrylic on canvas, 30.5 x 30.5 cm

Andy Parkinson, Sync, 2016, acrylic on canvas, 30.5 x 30.5 cm

Written by Andy Parkinson

May 16, 2016 at 8:30 am

Jane Bustin – Rehearsal review in Saturation Point

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Laurence Noga reviews Rehearsal by Jane Bustin

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Jane Bustin: Rehearsal at Copperfield Gallery, London

16 March – 20 May 2016

A review by Laurence Noga

http://www.saturationpoint.org.uk/

“The systems approach is compatible with the evidence that human decisions are largely based on an intuitive feeling of rightness – Rechtsgefuhl – but seeks to validate this subjective feeling by a massive information input, which stands in true correspondence with reality before being refracted through the unconscious.” Jeffrey Steele (Systems, Arts Council 1972-3)

Jane Bustin’s material approaches allow an open system, without a hierarchy. They include: fresco techniques; oil-washed aluminium; acrylic panel painting with ceramic glazes; mirrored copper with latex; polyurethane; wood; copper; silk; paper; gesso; ceramics and ready-made objects

Together, the artist’s relaxed sense of geometry evident in her idiosyncratic solo exhibition, Rehearsal, at the Copperfield Gallery, her sense of rhythm, and her distinctive handling of material through assembly and editing, effect a powerful coercion…

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Written by Andy Parkinson

May 13, 2016 at 3:35 pm

Posted in Uncategorized

Channa Horwitz Review at Saturation Point

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Go to the Saturation Point website for a review by Mark Liebenrood of the Channa Horwitz exhibition on show at Raven Row, London until 1 May.

Channa Horwitz (1932–2013, Los Angeles) was a pioneer of “a distinctly Californian minimalism” in the late 1960s and 70s, although she received scant attention from the art world until the end of her life.

Channa Horwitz, Canon 6 Variation II, 1982 Ink on Mylar. Courtesy Collection Oehmen, Germany, photo by Timo Ohler

Channa Horwitz, Canon 6 Variation II, 1982 Ink on Mylar. Courtesy Collection Oehmen, Germany, photo by Timo Ohler

 

Read the full review here

Written by Andy Parkinson

April 28, 2016 at 6:27 am

Gesso and acrylic paint on nothing! Deb Covell’s new painting at OBJECT / A

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The exhibition Here and Now, recently on show at OBJECT / A, Manchester, UK, featured just the one artwork, a wonderful painting entitled Present (2016) by Deb Covell, a painted black square, without a support, gesso and acrylic on nothing, suspended from the ceiling by wire.

Deb Covell, Present, 2016, gesso and acrylic, 140 x 140 cm. Image by courtesy of the artist

Deb Covell, Present, 2016, gesso and acrylic, 140 x 140 cm. Image by courtesy of the artist

 

Read my review of it here at the Saturation Point website.

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