Posts Tagged ‘Jazz’
The connection between modern art and jazz goes back some way. For a start there is Piet Mondrian’s love of Jazz and dance band, evidenced in titles of paintings like Foxtrot A and Foxtrot B, Broadway Boogie-Woogie and Victory Boogie-Woogie, as well as in his writings. He liked Boogie-Woogie, of which he said:
I conceive (it) as homogenous in intention with mine in painting: destruction of melody, which is the equivalent of the destruction of natural appearance, and construction through the continuous opposition of pure means – dynamic rhythm.
Then there’s Henri Mattise’s artist’s book of 1947 Jazz which he considered to be a “chromatic and rhythmic improvisation” the structure of rhythm and repetition broken by the unexpected action of improvisations.
And there are countless others, including American artist Stuart Davis, who desribed jazz as “a continuous source of inspiration in my work” an American art form in which he discovered “the same quality of art that I found in the best European painting”.
Another event I am looking forward to (not least because I am taking part) is Salon 1, the Summer Exhibition of Contemporary Art at the Old Lock Up Studio in Cromford on the 18th August 2012, for one night only!
Corey Mwamba will be providing the music, a real treat. Catch him on you tube here
What better for a summer’s evening? Come along if you are anywhere near.
I wonder of the painting by Jack Bush with the same title (see http://www.supremefiction.com/theidea/2012/04/the-lightness-of-jack-bush.html) was a reference to this tune. Popular models in abstract painting?
“Sing, Sing, Sing (With a Swing)” is a 1936 song, written by Louis Prima and first recorded by him with the New Orleans Gang and released in March 1936 as a 78 as Brunswick 7628 (with “It’s Been So Long” as the B side). It is strongly identified with the big band and swing eras. It was covered by Fletcher Henderson and most famously Benny Goodman.
The Benny Goodman’s version
When I learned Quickstep, I danced it with the rhythm of this song
Is it that I am attracted to marginal activities? I usually blog about abstract painting, a marginal activity if ever there was one. What was that article I was reading recently where the author was concerned that contemporary art might go the same way as Jazz: it will always have an audience but it is no longer a motive force for change? But then, how influential are ‘mainstream’ activities anyway?
Going to Derby train station late on Saturday afternoon we got stuck in the traffic leaving Pride Park football stadium (for American readers that’s soccer – a very mainstream activity here in the UK). There we were, inching our way from one traffic island to another, and for a few moments I could more easily believe that we would be stuck there forever than that the system had within it the seeds of its own transformation. Needless to say, we missed the train. But for all those supporters having been taken to (or having taken themselves to) the ball game, for them half an hour stuck in traffic may have seemed a small price to pay, especially when you win 3 nil.
Later that evening, being taken to the ballroom, a marginal activity if ever there was one, less than £15 for the two of us was a very small price to pay for 3 hours of unalloyed pleasure. As we entered the Regency Ballroom in Sutton in Ashfield, the Terry Peters Big Band were playing “Take Me Out to the Ball Game”.
The band play here on a regular basis, about once a month on a Saturday night. As usual, they played three 45 minute sets: big band jazz and dance band music, great just to listen to, and even better to dance to. In fact, I can think of nothing more enjoyable than dancing to a 16 piece big band!
They played tunes such as “Just the Thought of You”, “Fascination”, “Fly Me to the Moon”, “Take the ‘A’ Train”, “All That Jazz”, “It Can’t Be Love” and “My Favourite Things”, many of them featuring singer Suzanne, my own favourite being her “Don’t Sit Under the Apple Tree” to jive to and the Jive that immediately followed it: “Clementine” sung by the Band Leader Dennis Halfpenny (complete with dodgy lyrics).
There were modern ballroom Waltzes, Quicksteps and Foxtrots as well as Latin: Cha Cha Cha and Rumba. And where can you go these days to hear the Veleta played live, and dance to it (social version as showed on the link), along with other old-time favourites like St Bernard’s Waltz, Square Tango and the Barn Dance? And where else do you get all ages (more older than younger I admit) enjoying themselves together? And though there is a good licensed bar there’s too much fun to be had dancing than to be getting drunk (a very mainstream activity). I don’t understand why there aren’t queues all the way round the block just to get in!
Michelle and Nathan from M&N Photography were there taking a few photos and they kindly supplied these images and gave me permission to post them here. Their event website is www.michellehowardphotography.com and here’s a link to their facebook page.