Turps Banana Issue 11
I love it when that Turps Banana hits my door mat. I know that I am in for a treat of looking at good reproductions of interesting paintings, reading thought-provoking articles and interviews and then pondering on it all for ages afterwards. Sorry, if I am sounding like an advert. I just can’t help being a big fan.
In issue 11 there are two interviews, or conversations, that I am particularly enjoying, with two very different abstract painters: Katharina Grosse and Jeffrey Steele, the interviewers being Peter Dickinson and Katrina Blannin respectively. Dickinson opens with a statement about abstraction, which leads to a discussion about different definitions, Grosse saying ” I am not an abstract painter any more” where abstraction is understood to be “abstracting from or generating a residue of something seen”. Dickinson proposes a contemporary definition, where it is “the process of thinking and action” the resultant product being a record of that process. Clearly, the paintings/installations of Katarina Grosse come into this category, and so do the paintings of Jeffrey Steele, though the products of these two artists seem poles apart. There is something at least apparently subjective and random in the Grosse paintings in contrast to the mathematical and systems orientation of the Steele paintings, and Blannin does a great job of teasing out the origins, rationale and methods of his approach.
Neither interview is “easy” and both provoke as many questions as they answer (in a twitter exchange with painter Dean Melbourne on the morning we opened our copies of the Turps we acknowledged that our initial response was to feel a bit thick) which I think is what a good journal is meant to do.