Studio Visit, David Manley
Two studio visits in one day. One was a visit to the dance studio for a lesson, and the other was a visit to an online friend, David Manley whom I have now met in “the real world”, at the Harrington Mill Studios in Long Eaton. What a space, and some great work being done there.
Thank you David, for showing me around and for chatting with me about your work, art in general, painting in particular, abstraction, some recent and current exhibitions and some of the exhibitions that you have curated.
I like the deadly delicious series you are working on just now, and I am interested in how you get from “real world” source to painted object/image. There’s a sense in which the sources of these paintings, certain viruses, are already images, not so much the photographic images of the viruses as the viruses themselves, made visible, as you explained to me, by the use of dyes. (Deadly and dyed.)
The earliest two of these seemed quite similar to a series of yours that I saw at the Tarpey Gallery last year, a show entitled From the Earth Wealth, paintings based on North West Leicestershire settlements. Since getting back I have looked up your blog about the way the series developed and enjoyed it. There was a time when I used to like reading Marvel comics and especially the origin stories, how for example, Peter Parker first became Spiderman. In transmuted form it remains a fascination: how did this abstract painting get to look like this? Your own method seems very different to my own, which I guess is one of the reasons that learning about it is so instructive.
Thanks also for bringing my attention to the show by Beth Shapeero, Pale Uneasy Shapes, abstraction of a different kind again, and a show which was so minimal that if you hadn’t pointed it out I might not have seen it at all.