James Kalm: an egg floating in the middle of a doily!
I love James Kalm’s Rough Cuts videos on YouTube. He takes his bike and visits New York galleries with his camera and gets videoing. We get pictures and commentary in slightly hushed voice, with little asides like “there’s such and such” when we see someone, and we get information about the New York art scene and some thoughts about the paintings. Often you can hear the rustling of paper as he looks up the title in the gallery notes. When I go to galleries I get my camera out like it’s a crime and discretely take a photo, usually discovering to my surprise that it is actually OK to do so. James Kalm just marches in says “hi” to whoever is in there and takes us along with him via the magic of video.
His new one is Terry Winters: Cricket Music and Tessellation Figures at Matthew Marks. I like the self-portrait reflection we get when he photographs the signage through the gallery window. I was unfamiliar with Terry Winters’ work and there was no chance I would have been going over to NY to see the show (unless NY stood for North Yorkshire, then I would certainly have gone) so it works as a good introduction. Kalm’s commentary ranges from the banal “I kind of like what he is doing here”, to the factual “tessellation figure 9”, to the hilarious “it almost gets figurative…it’s almost like an egg floating in the middle of a doily”.
Terry Winters has been a respected presence on the New York painting scene for decades now. His latest show ” Cricket Music and Tessellation Figures” is the first major presentation of new works since 2008. These pictures reveal a poetic application of the geometric concept of a gridded plane, it permutations through knotting and folding and the fragmentation of image and its re-composition.