Against Nature ( A Rebours)
I had also seen a photo of another art work entitled Against Nature, this one by David Batchelor and I had wondered if the latter work also referenced the Huysmans novel. Noting that it was on display at the University of Warwick, I hoped to see it soon. Well, soon arrived recently and I got to view the piece. I also recently got to talk with the artist, who confirmed the reference.
Reading his book Chromophobia, the reference might have been obvious. He writes with affection on A Rebours.
The colours in the piece are ‘unnatural’, neon, flourescent, artificial, of the city rather than of ‘nature’. Made from second-hand, discarded lightboxes, neon signs, exit signs etc, with painted plexiglas and light shone through them, they are also repaired, re-used and recycled (so not “against nature” in that respect).
I heard him say recently that there is too much brown, grey and magnolia (non-colours) in British contemporary art, and that you can hardly speak of “bright grey” or “bright brown”. I think he is right (though I did shortly afterwards hear someone use just that term “bright brown”. The sentence went something like: “It’s not a dull brown though, it is a bright brown… copper”).
I love this piece of work. It has some painting in it even though we would hardly call it a painting. It is almost as if the colours have been freed from the constraints of pigment and medium, yet in a totally unnatural way. “Pure” and “impure” at the same time.