This link shows the Mondrian on view at The Hepworth,Wakefield: Composition C (No.III) with Red, Yellow and Blue 1935. I am making studies of it. It is nearly square.
Sean Scully says somewhere that if you have Mondrian, Matisse and Rothko, then you have his (Scully’s) work, and he also says that its impossible to get to the artist’s touch in Mondrian (that’s how I remember what he said anyway, what I have forgotten is where I read it). If that’s what he said he certainly has a point.
However, there is something of Mondrian’s touch in the paintings. Though it never approaches gesture, I do get a sense of the numerous re-workings. In Scully’s paintings you can clearly see lots of layers of under-painting, whereas in Mondrian you discern them.
Don’t you also get a strong sense of the thinking process of making the work, the creative tension between thinking and doing?