the indiscipline of the discipline
Abstraction Blog posted about a new exhibition at Tate St Ives: The Indiscipline of Painting, subtitled International Abstraction from the 1960s to Now. At last! A big show of abstract painting, and it’s outside London too.
It opened yesterday and continues until 3 January 2012, bringing together paintings by British, American and European artists, made during the last fifty years.
I am even more delighted to discover that this project is a collaboration between Tate St Ives and Mead Gallery, Warwick Arts Centre, and that when it has closed at Tate St Ives it will travel to the Mead Gallery and show between 14 January and 10 March 2012. Coventry Arts Centre is near where I live (no matter that every time I have attempted to visit this year it has been closed). I can go see it in St Ives and then visit regularly from January to March.
Of the 49 painters included in the show I am particularly looking forward to seeing work by Tomma Abts ; John M. Armleder, Daniel Buren, Mary Heilmann, Blinky Palermo, Bridget Riley, Robert Ryman, Sean Scully, Frank Stella, Myron Stout and Dan Walsh.
The Tate write-up about the exhibition says
The contemporary position of abstract painting is problematic. It can be seen to be synonymous with a modernist moment that has long since passed, and an ideology which led the medium to stagnate in self-reflexivity and ideas of historical progression. The Indiscipline of Painting challenges such assumptions. It reveals how painting’s modernist histories, languages and positions have continued to provoke ongoing dialogues with contemporary practitioners, even as painting’s decline and death has been routinely and erroneously declared.
Painting is dead. Long live painting!