patternsthatconnect

abstract art, a systems view

Make grey while the sun shines

with one comment

At  hyperalergenic, there’s a brief discussion about how grey can achieve optical effects that other colours cannot. And check out the commentary and pictures of work by Julie Shapiro and Stephanie McMahon. In the two paintings shown there, each quite different to the other, they both make use of grey to enliven the other colours.

Thinking of the use of grey in painting, I was reminded of a visit I made to The Hepworth, Wakefield where I saw that wonderful Winifred Nicholson painting.

Winifred Nicholson, Quarante Huit Quai d'Auteuil, 1935 Oil on board©Tate, London, 2011,©The Trustees of Winifred Nicholson, Courtesy of Hepworth Wakefield

Grey used here, elicits a muted sensation in the viewer. (I continue to be amazed that a painting can alter ones  ’emotional’ state so easily). The grey seems to mediate the contrast of the blue square and the yellow figure-eight shape at the top left, that I tend to read as a sun. In a way it is a very powerful painting. Slowing me down and provoking stillness takes a certain kind of power. And in another sense, it’s the opposite of powerful: unassuming, careful, tentative even.

Then I remembered a grey painting I saw by Mali Morris, entitled Marvell’s Mower,

Mali Morris, Marvell's Mower 1999, Acrylic on Canvas, 46 x 61 cm. Image by courtesy of the artist.

quite different in its character than Nicholson’s Quarante Huit Quai d’Auteuil, though it shares the main circle motif on a grey ground,grey on grey, and something of the blue/yellow contrast. (It’s likely that this ‘grey’ is in fact black and yellow). It is darker, and bolder, and the central circle shape looks as though it is moving, at speed, and then not. There’s more enjoyment of the paint, and the process of painting, in the Morris. It is almost as if Marvell’s Mower has action frozen in reflection, whereas Quarante Huit Quai d’Auteuil is entirely reflective

In both paintings grey is definitely a colour, not the kind of grey you get on a cloudy day, but the luminescent grey that you might see only when the sun is shining.

Advertisements

Written by Andy Parkinson

August 31, 2011 at 7:46 am

One Response

Subscribe to comments with RSS.

  1. […] a previous blog post I mentioned work by USA artist Julie Shapiro. Thanks Julie for emailing me and for bringing my […]


Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

%d bloggers like this: