Second star to the right and straight on until…
In my continued quest to find abstract art outside of London, I find myself in the centre of Swansea, where, opposite the Dylan Thomas Theatre,
just a few hundred yards from my Hotel, I discover…
the Mission Gallery, once a seaman’s mission, now a bodacious space (dude) for contemporary art.
There will be abstract paintings here from late in July. And right now there is a most excellent show of sculpture by Ben Rowe entitled Second star to the Right and Straight on Until Morning. If you know that the directions to Neverland referred to here, are also quoted in one of the Star Trek movies, then you are very likely to get all the other references in this exhibition. The sculptures are themed on popular sci-fi/fantasy films, mostly from the 1980’s, films I loved too, like Back to the Future and Bill and Ted’s Excellent Adventure.
Entering the gallery I am struck first by the light in what would have once been a church sanctuary, and then by the smell. Incense? No, MDF – the material from which these sculptures are crafted.
Batteries are not Included, is a keyboard with wires from it attached to a totem-like object. The reference is not to the Disney film of the same name, but to Masters of the Universe, the art work being a replica of the ‘mysterious cosmic key’.
In the centre of the dome shaped sanctuary is the time-travelling phone box from Bill and Ted’s Excellent Adventure, reproduced in MDF monochrome, looking like all the colour has been drained out of it, as it is just about the de-materialise.
The sculptures in this show are modes of transport, as simple as a door or a portal or more complex like the flux capacitor or the time-travelling phone box. And they are sculptural metaphors for art, as a means of escape into an alternative reality. The gallery space, whilst existing in the ‘real world’ at the same time presents a door into another one.
There is something ironic in the reproduction of hi-tech gadgets, looking so plausibly like they would be capable of transporting us to impossible locations, yet so clearly in MDF: even if the ‘real’ versions were able to do so, the replicas lack any such potency.
To borrow Elull‘s terms, mentioned in yesterday’s blog post, are the artworks imitations of a (fictitious) technology, itself both imitation and compensation for (real) technology?
Second Star to the Right and Straight on Until Morning is showing at Mission Gallery until 24 July 2011.